Download Light for the Artist (Dover Art Instruction), by Ted Seth Jacobs

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Light for the Artist (Dover Art Instruction), by Ted Seth Jacobs

Download Light for the Artist (Dover Art Instruction), by Ted Seth Jacobs

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From the Back Cover

Intermediate and advanced art students receive a broad vocabulary of effects with this in-depth study of light. The guide offers detailed descriptions that start with the basics—the direction of light, reflections, and shadows—and advance to studies of light in natural and manipulated situations. Examinations of subtler light effects include foreshortening, field effects, multiple light sources, colored light, depicting the light source, and the behavior of light on shiny surfaces.Lavishly illustrated with diagrams and paintings, this volume applies its principles to figure, still life, and landscape paintings. Author Ted Seth Jacobs stresses the importance of comparing real-life vision to the canvas, since no system of rules can substitute for close and careful observation. Jacobs points out common errors, suggest light effects that artists should keep in mind, and discusses how preconceptions can be put aside in order to see the world more clearly.Dover (2104) republication of the edition originally published by Watson-Guptill Publications, New York, 1988.

About the Author

Ted Seth Jacobs has taught at the Fashion Institute of Technology, the Art Students League, and the New York Academy of Art. His work has appeared in galleries and museums around the world.

Product details

Series: Dover Art Instruction

Paperback: 144 pages

Publisher: Dover Publications; Reprint edition (February 20, 2014)

Language: English

ISBN-10: 0486493040

ISBN-13: 978-0486493046

Product Dimensions:

8.5 x 0.2 x 11.2 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

12 customer reviews

Amazon Best Sellers Rank:

#398,992 in Books (See Top 100 in Books)

Ordered this book a few years ago and I still reference it often while I paint. Beautiful photos and wonderful illustrations really show how light is more than just a shadow.

good book

Thoughtfully and well presented. More black amd white images than one might expect â€” not a downside, just letting potential purchasers know.

Great content

Good review of the effects of light on a subject for the artist. I find it a excellent reference, when doing my own paintings.

I have heard much about Ted Seth Jacobs and his approach to seeing color, and certainly his technical ability is what they say it is. However, I am afraid that I cannot give this book more than three stars. It is not about the content of what he says - what he has in there is accurate, and he has good basic illustrations to prove his points. In fact, I bought this book sight unseen essentially for the information the book contained. So while the content itself is not an issue, I do have some issues with the way it is presented.The two main problems I have with the book are the format and the color reproduction. The format makes the book nigh unreadable; and basically all the color reproductions of the paintings in it make me wonder if Mr. Jacobs really painted in those colors, or if it is some regrettable problem with the color reproduction during printing. The book is absolutely cram-packed with information-dense text in a two-column layout. This works for magazines, where the articles are shorter, but makes for extremely tiresome reading in a large book. As I said, the information is accurate, and Mr. Jacob's illustrations to prove those points are simple and easy to understand. But the text is very dense, and very dry, and it makes it hard to get through without getting tired. Another part of the problem is the lack of chapter breaks. There are a couple in the beginning, but the last half of the book is essentially one long unbroken column of text (which runs the outside length, and the wonky-colored pictures on the inside).The other problem is the color reproduction. The paper in my book is still pristine white, so it's not yellowing of the paper itself. It's also not a problem that the paintings themselves are most definitely dated to the 70s and 80s, with some pretty groovy fashions, starred tapestries, pyramid power and feathered hair - and I will admit they're not to my taste at all, but I bought the book for the information. What really threw me off was that the main paintings have either: A bright yellow color that looks as if the picture was taken through a yellow filter; a very odd and jarring lavender-blue shade; or in a couple of instances, an alarming pinkish-red. In fact, Mr. Jacob's own paintings appear garish in many instances, with the strange shades of bright yellow, or orangeish, or ochre-colored tone really throwing me off. But other paintings, as I have mentioned, have this very weird, unnatural blue tinge that very often turns purple. It's not pleasant to see a painting of a composition made with fresh-baked bread, and the loaves are this bizarre, grey-purple color. It's rather unappetizing. And there's at least one picture, a still life of eggs and a whisk, that has an obvious reddish-pink tone, and so it's not pleasant to look at.In short, if this book were still around the 40 to 50 dollar range, I think I could recommend it, if only for the information contained within (assuming you could get past the unfriendly text format and awful color on many of the paintings within). But for the current price I see (around 200 U.S. dollars at the time of this writing), I'm afraid I can't recommend it, because no matter the information within the book, the format and the color reproduction make for a disappointing purchase.

What is written is important, but the artwork and layout of the book are not very impressive, and get in the way of what is written. It is, however, full of information we all should make part of our foundation.

Seth Jacobs is a living master he is an amazing teacher and demonstrates and knows how to teach.I enjoy all his books.

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